Steven Pressfield

Saying Yes and Saying No

By Steven Pressfield |

A friend of mine said something to me a couple of years ago that, the more I think about it, the more profound it becomes. Let’s call her Jane. She’s a happily married woman with a couple of almost-grown kids and an all-around fine and healthy life; she was talking about the evening before she married her husband. “The night before I married Mark was the worst night of my life. I tossed and turned all night, crying. I was literally sobbing. Because I realized that now I was never going to marry Steve McQueen or Paul Newman. It sounds…

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On Becoming More of a Pr#@k

By Steven Pressfield |

What we’re really talking about is learning how to say no. (Thanks to Fabian Pallares who suggested this topic in a Comment two weeks ago after our post, An Ask Too Far.) When Gates of Fire was first optioned by Universal Studios in 1998, the director Michael Mann was attached. I sent him hand-written congratulations and a signed first edition. I never heard a peep. I thought, “What a prick!” The same thing happened with Robert Redford on The Legend of Bagger Vance. Again I thought, “What a prick!” But I gotta tell you, the more I’ve thought about it…

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“The God-damned Infantry” by Ernie Pyle

By Steven Pressfield |

Along with Bill Mauldin, Ernie Pyle was probably the most famous American war correspondent of World War II. His dispatches from the front were carried by over 300 newspapers. (Thanks to Tina McCann for sending in this piece.) Pyle loved the foot soldiers, the dogfaces, the grunts; he ate with them, tramped beside them under fire and won the Pulitzer Prize in 1944 for writing about them. One column of his urged that combat infantrymen be given extra “fight pay,” just as airmen got “flight pay.” Congress responded by authorizing ten dollars a month, a princely sum in those days.…

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Write For A Star

By Steven Pressfield |

[The blog is on vacation this week. Here’s an encore of one of our most popular posts.] “Write for a star” is one of the primal axioms of screenwriting, but it has applications across many other fields as well. What does it mean to write for a star? Writing for a star means create a role that a star wants to play. Your story may be dynamite, your structure may be sound, your theme profound and involving. But the first question a producer is going to ask is, “Who can I cast in this thing?” Moviemakers want scripts that attract…

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An Ask Too Far

By Steven Pressfield |

In the past year or so I’ve become aware of the verb “ask” used as a noun. I simultaneously like it and am appalled by it. It’s honest. Probably way too honest. An “ask” is a request for an action or a favor. I was reporting the contents of a long e-mail to a friend; she interrupted: “What’s the ask?” Meaning, “What does the e-mail writer want?” “Ask” originated, I suspect, in the publicity biz. The difference between advertising and publicity is you pay for advertising but you try to get publicity for free. Hence “ask.” Schmooze schmooze schmooze ask.…

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Spitfires over France

By Steven Pressfield |

Pierre Clostermann was a Free French aviator who flew over 400 missions as a Spitfire and Tempest pilot in RAF squadrons during WWII. He is credited with the destruction (reports vary) of between 15 and 33 Luftwaffe aircraft. Clostermann was awarded, among numerous other decorations for valor, the Distinguished Flying Cross, the Silver Star and the Croix de Guerre with 19 palms. His memoir, The Big Show (Le Grand Cirque), has sold two and a half million copies. “Take a look at those eyes,” says a friend of mine who was a fighter pilot in the Israeli Air Force. “That’s…

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Live from Quantico

By Steven Pressfield |

I’m usually reluctant (not to say, mortified) to run an interview of myself, particularly in this space. I don’t want anything to go here that smacks of ego—and an interview, no matter how well-intentioned, always bears some elements of that stuff. But this particular sitdown came out pretty good, I think. It passes the “Will it be of use to someone who gives up the time to watch it?’ test. So, friends, if you’ll bear with me … this’ll be today’s post. I did the interview at the Marine Corps Association in Quantico, when I was there last month on…

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Pericles’ Funeral Oration

By Steven Pressfield |

Once a year in ancient Athens, the city came together to honor her sons who had fallen in battle. “The bones,” wrote Thucydides, “are laid in the public burial place, which is in the most beautiful quarter outside the city walls. [Then] a man chosen by the city for his intellectual gifts and for his general reputation makes an appropriate speech in praise of the dead.” In 431 B.C., that duty fell to Pericles. Here are portions of his speech, taken from Thucydides’ History of the Peloponnesian War, translated by Rex Warner: I have no wish to make a long…

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Worthy Thoughts and Unworthy Thoughts

By Steven Pressfield |

I’ve been on the road for the past three weeks. That’s never good for me. Though I’ve seen a bunch of friends I wanted to see and done a lot of stuff that needed to be done, I find myself (right now in the United lounge at JFK) flagging and faltering. I can’t work when I’m traveling. The toll it takes is on my spirit. Unworthy thoughts pile up, unalleviated by worthy ones. I don’t know about you but when I wake up in the morning, all kinds of incendiary crap is rolling around in my head. Grievances, complaints, bitching…

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“With The Old Breed”

By Steven Pressfield |

E.B. Sledge was a Marine mortarman on Peleliu and Okinawa in WWII. His first-person memoir, With The Old Breed (that he reconstructed from notes scribbled in a New Testament he carried with him throughout the fighting), stands with the very best combat narratives not just from World War II, but from any war in history. Ken Burns (who drew extensively from Sledge’s text for his celebrated PBS documentary, The War) wrote, ” … in all the literature of the Second World War, there is not a more honest, realistic or moving memoir. This is the real deal, the real war;…

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