Steven Pressfield

East of Eden

By Steven Pressfield |

[Last week we introduced this new series, The Warrior Ethos, posting the introduction and Chapters One and Two. Today’s post is Chapters Three, Four, Five and Six. The Warrior Ethos will continue in this space every Monday. To see prior posts, click on the “Series” bar above. Let’s resume!] CHAPTER 3    EAST OF EDEN Where did the Warrior Ethos come from? Why would anyone choose this hard, dangerous life? What could be the philosophy behind such a choice? An answer may come from the Garden of Eden (which is an archetypal myth common to many cultures other than our…

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Wars Change, Warriors Don’t

By Steven Pressfield |

Today we launch a new series on the site. It’s called The Warrior Ethos. Here’s a short intro, in case you missed it. The series is intended for our young men and women in uniform, but I hope that other warriors in other walks of life will give it a chance too. Posts will appear every Monday. After this week, Writing Wednesdays will resume. Let’s plunge right in. Here’s the introduction to The Warrior Ethos and the first two chapters. (The photo above is from Khalidiyah, Iraq, 2008—the men of Company F, 2nd Battalion, 24th Marines. Thanks to Lance Corporal Albert F.…

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The Warrior Ethos

By Steven Pressfield |

Today we launch something new on the site. Some people may hate it. (We’ve already had one high-profile colleague flee, screaming, from his first sight of it.) It’s called The Warrior Ethos. It’s an ongoing series about exactly what the title says. The primary audience I’m writing it for is our young men and women in uniform, but I hope that other warriors from other walks of life will give it a chance as well. The first Warrior Ethos post will appear in this space today, Wednesday 2/9, a couple of hours after this intro runs. After this week, the…

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The Inciting Incident

By Steven Pressfield |

I’m on the road this week, visiting Robert McKee in Sedona, AZ. It’s his birthday. Bob McKee, if you don’t know him, is the guru of screenwriters and the founding force behind Storylogue on the web. His intensive story workshops, which he gives all around the world, are like four years of writer’s college in 96 hours. I’ve taken his course three times. The thing I say about Bob (and it’s absolutely true) is that he’s not just the best teacher of writing I’ve every known, but the best teacher of anything. If you saw the movie Adaptation, starring Nicholas…

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Selling Books in the Trenches

By Steven Pressfield |

So far, we’ve been talking in these What It Takes posts from our own point of view, from the angle of the writer and his agent and publicist. Today I’d like to turn that around. Let’s get down and dirty–in the trenches, selling books to bookstores. We’ll talk with Random House’s David Glenn, who’s one of the key sales reps working to “sell in” The Profession—and one I’ve had contact with since Gates of Fire back in 1998. SP: David, welcome and thanks for giving our readers, many of whom are writers and artists, a peek into the real world…

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Collectively-Enforced Mediocrity

By Steven Pressfield |

Have you seen the movie, The Fighter? It’s already won Golden Globes for Melissa Leo and Christian Bale–and looks like a strong Oscar contender in a number of categories. I loved it. The movie is also–in its depiction of the psychological dynamics within the Ward family of Lowell, Massachusetts–one of the great cinematic evocations of Group Resistance, or what we might call Collectively-Enforced Mediocrity. How does Resistance play out within a family? Let’s see what the film’s writers and director–Scott Silver and Paul Tamasy & Eric Johnson and David O. Russell–have to say. A collective myth Early in the opening…

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On the Subject of Fear

By Steven Pressfield |

[Today’s post is an interview with me in fear.less online magazine. If you haven’t heard of fear.less, it’s a terrific enterprise founded and run by Ishita Gupta and Matt Atkinson, who are two young stars of new media. [Fear.less appears once a month; it’s free; you can sign up via the link above or below. The magazine features interviews with artists and entrepreneurs, where the thrust of the discussion is to probe the individual’s inner life on the theme of fear–and the overcoming of it. It’s an idea whose time has definitely come, and Ishita and Matt do a tremendous job…

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Resistance Tomorrow

By Steven Pressfield |

I just came in from getting my stuff ready for the gym tomorrow–packing my bag, loading up my gear, leaving it in the car. It got me thinking about one of the most useful books I’ve ever read, Dr. Robert Cialdini‘s Influence. If you haven’t read it, I highly recommend it. In the book, Dr. Cialdini lays out seven proven ways to influence other people–in other words, to get them to do what we want them to do. One way, for example, is the Principle of Reciprocity. If Joe does X for me, I will feel an obligation to do…

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Panic is Good

By Steven Pressfield |

My friend Paul is writing a cop novel (I mentioned this in an earlier post, on the subject of trusting your instincts, even the darker ones–particularly the darker ones.) Paul has written screenplays and stuff for TV, but he’s never tackled a novel, which is really his native medium. At the same time, he’s writing more from his true center than he ever has. Paul’s about halfway through and, though he puts up a brave front when I ask him how he’s feeling, I can tell from his eyes that he’s in full panic mode. He looks like a rabbit caught…

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When It Crashes, Part Two

By Steven Pressfield |

Did you ever see the movie Wag the Dog, starring Dustin Hoffman and Robert Deniro, directed by Barry Levinson and written by Hilary Henkin and David Mamet? The film is about a lot of things, but at its core it’s a portrait of a Hollywood producer. The character of Stanley Motss, played by Dustin Hoffman, is, by all accounts, a spot-on portrayal of Robert Evans (who produced The Godfather and Chinatown, among many others.) What does a producer do? Nobody knows. Even in the movie biz, no one appreciates the producer’s art. “Did you know,” Dustin Hoffman complains at one point…

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