Steven Pressfield

When It Crashes, Part Two

By Steven Pressfield |

Did you ever see the movie Wag the Dog, starring Dustin Hoffman and Robert Deniro, directed by Barry Levinson and written by Hilary Henkin and David Mamet? The film is about a lot of things, but at its core it’s a portrait of a Hollywood producer. The character of Stanley Motss, played by Dustin Hoffman, is, by all accounts, a spot-on portrayal of Robert Evans (who produced The Godfather and Chinatown, among many others.) What does a producer do? Nobody knows. Even in the movie biz, no one appreciates the producer’s art. “Did you know,” Dustin Hoffman complains at one point…

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A Safe Space

By Steven Pressfield |

I did an interview for Ishita Gupta and Matt Atkinson’s online magazine fear.less that’s going to run in January. I was proofing the text this morning and I thought, “There’s a section in here that’ll be perfect for an end-of-year Writing Wednesdays post.” The section was about Mike Nichols. His AFI Lifetime Achievement tribute had just aired a couple of days earlier. On the show a number of actors including Dustin Hoffman and Meryl Streep had thanked Mr. Nichols, quite emotionally, for among other things creating a safe space for them in front of the camera. It struck me that…

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When It Crashes

By Steven Pressfield |

In our “What It Takes” series (adjacent), we’re getting into the inside stuff of publishing, marketing and promoting The Profession, my upcoming novel. Here, for a look at the other side, is an event from the writing of the book. Here is every writer’s worst nightmare: When it crashes. When the wheels come off smack in the middle of the project—and you’re left dazed by the side of the road, staring at the smoking wreckage of your work. That happened with this book. Last Christmas, two years into it. I thought I was finished. I thought the book was done.…

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Horror Stories

By Steven Pressfield |

[Continuing our “What It Takes” series, an inside look at the process of publishing and promoting a book in 2010-11 … here’s Post #3:] The first book signing I ever did was for The Legend of Bagger Vance. It was at a Books-a-Million store in Lakeland, Florida. I flew 3000 miles from Los Angeles. Nobody showed. Not a soul. I felt terrible for the store manager, who had set up a beautiful table with stacks of books and even a poster-sized photo of me. We were there at seven in the evening, all alone. It was like a scene out…

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The Amnesiac’s Story

By Steven Pressfield |

[The blog is on vacation this week. Happy Thanksgiving to all! Here’s one of my fave posts from a little while ago:] Two of the most popular movies of the past few years are The Hangover and The Bourne Identity. What do they have in common? They’re both amnesia stories. I love amnesia stories. What could be more fun? Guy wakes up face-down on the floor of a villa in Vegas, or floating in a wetsuit off the coast of Marseilles. He remembers nothing. Who is he? How did he get there? And where the hell did that tiger in the bathroom…

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The Opposite of Resistance

By Steven Pressfield |

Here’s a subtle but crucial point for us to hold in mind as we slog through the trench warfare of the artist’s journey, battling Resistance every step of the way. Remember: Resistance arises second. What comes first is the idea, the passion, the work we are so excited to create that it scares the shit out of us. Resistance is the response of the frightened, petty, small-time ego to the brave, generous, magnificent impulse of the creative self. Resistance is the shadow cast by the innovative self’s sun. What does this mean to us, as we duel our demons? It…

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Rosanne Cash’s Dream

By Steven Pressfield |

[The following excerpt from Rosanne Cash‘s Composed hit me like a two-by-four between the eyes. Thanks to Ms. Cash for permission to run it.  The book is brand-new and it’s keeping me up nights. It should be required reading, in my opinion, for all serious writers, artists and musicians, particularly women. But judge for yourself. I’m giving over the whole of today’s post to this passage from Rosanne Cash’s Composed. [Note: “King’s” is King’s Record Shop, the 1987 album that produced four #1 singles. And now: over to you, Rosanne …] It was late in the making of King’s that…

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What To Keep and What To Cut

By Steven Pressfield |

[First, huge thanks to everybody who wrote in in response to last week’s When It Works. Wonderful stuff, from the heart. It’s tremendously gratifying to me, I must say, to see this site evolving into a real peer-to-peer meeting ground–and I include myself as one of those peers. I picked four “winners” instead of three, but could easily have chosen ten or more. Congrats to Anjanette, Stef, David Layton and Dana. I’ll get your signed War of Arts out right away. Thanks to everybody! Now to this Wednesday’s post … ] Have you seen the director’s cut of Apocalypse Now?…

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When It Works

By Steven Pressfield |

I want to try something different this week. I’d like to ask our readers to write in. What I’m looking for is mini-posts about a moment in your writing or painting or filmmaking or any artistic or entrepreneurial career “when it worked.” When your stuff actually connected person-to-person. Here’s the kind of moment I mean: When It Worked Moment #1 This just happened last week. Gates of Fire is a historical novel I wrote; it’s about the 300 Spartans at Thermopylae in 480 B.C.  I got the following e-mail (and the photo on the right) from a staff sergeant in the Special…

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My Life As A Mad Man

By Steven Pressfield |

[First, many thanks to everyone who made our two-day $1.99 special on the eBook version of The War of Art so successful. The switchboards were lighting up like the Fourth of July. Even if you just browsed and didn’t pull the trigger, thanks for the thought. Your interest and attention are very much appreciated. [As of today, the FastPencil price on The War of Art goes back to $9.99. All other platforms set their own freight. We have no influence, alas. (Meanwhile, I’m hard at work on The War of Art 2.0., which I hope to have in six months…

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