Writing Wednesdays

The Fruits of our Labors

By Steven Pressfield |

[The following is a slightly-tweaked-and-updated version of one of Writing Wednesdays’ most popular posts.]

I have a recurring dream. In the dream I’m invited to climb into the back seat of a limo that’s about to drive off to someplace fabulous. The dream always ends badly. It’s trying to tell me something.

Limo

Trust me, this baby is taking us nowhere

Publication day—or any date when we launch a project that we’ve worked on long and hard—is like getting into the back seat of that dream limo. Launch day gets our hopes up. We’re human. We’re prey to the folly of anticipating rave reviews or long lines outside the theater; we’re itching to check the grosses or the day’s sales on Amazon. I’ve been up and down with these expectations through ten books and a bunch of movies and I can tell you one thing:

Of the two possible outcomes—a flop or a hit—both are delusions.

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Thinking in Metaphors

By Steven Pressfield |

One of the things you learn writing fiction is to think in metaphors. The first draft of any novel or screenplay usually spills forth in blissful cluelessness. You tell yourself, I’m writing a detective story, or a Western, or some crazy genre that I don’t even know the name of. Then comes Draft #2 and you have to ask yourself, “What the hell is this thing about?” That’s when metaphor comes in. It took me a long time to learn this, and a lot of people had to hammer me and my work pretty hard. Words like “shallow,” “slick” and…

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Alexandra in the Trenches (Sort of)

By Steven Pressfield |

Here, thanks to Alexandra Choi, is a day we can all relate to.  (Viewing time: 1:52.) I will say no more. Except for more of Ms. Choi, click here.

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Paul’s All Is Lost Moment

By Steven Pressfield |

My friend Paul is writing a pilot. He’s never done a piece of writing this serious before. The work is totally on spec. Paul has a full-time business and has to do his writing at odd hours. A couple of weeks ago he had a crisis that made him almost suicidal. When I describe it to you, you’ll say, “Man, have I been there!” A script for a TV pilot is about fifty-five pages long. Paul was on Page 52. He went home after work, sat down at his laptop and opened up the script to (blank) page 53. But…

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Saying No

By Steven Pressfield |

Ask me what I envy most about people who have lots of money. My answer: “I’m jealous that they have secretaries to say no for them.” Saying no is hard for me. Always has been. It’s hard for a lot of people. Maybe we want to be thought of as nice guys. Maybe we remember people turning us down when we asked them for help, and we don’t want to be that kind of person when other people ask us. Maybe we truly have empathy for the plight of whoever is asking us for something. Maybe we really do want…

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What I Learned in the Ad Biz, Part Three

By Steven Pressfield |

Here’s a concept from the world of Mad Men that has served me (and saved me) many times over the years: The idea of “new business.” When I worked in the ad biz in New York many moons ago, we had to account for our hours every week on a time sheet. The creative department was divided into ten or twelve groups, each with four or five two-man teams—writer and art director—with a creative director as each group’s boss. A creative group might have four or five clients that it was responsible for. On your time sheet you’d see something…

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What I Learned in the Ad Biz, Part Two

By Steven Pressfield |

Advertising is a much-reviled industry (selling us junk we don’t need, etc.) Let me not be last in line to heap my own scorn and derision upon this hell-spawned profession. That being said, my own time as a copywriter (I worked for Grey, Benton & Bowles and Ted Bates in NYC) was more valuable than a Ph.D. from Harvard. I also met some of the best and most interesting people I’ve ever known, many of whom remain friends to this day. So what did I learn in the ad biz?  First lesson (see this post from 2009): Nobody Wants To…

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“Beware the Saboteur!”

By Steven Pressfield |

My friend Kate tells this story: I was visiting my friend Bob Gilbert, who among many other talents was a fabulous boat builder. This was at Harvey Swindall’s boatyard in Ventura [California], where Bob was building a 92-foot yacht based on the plans for the famous ocean racer Bloodhound, which had been built originally in the 1870s at the Fife Boat Works in Fairlie, Scotland. The new Bloodhound’s keel had been laid. The ribs were in place. Bob showed me around, pointing out all the little details of construction, which he, being a master builder, had gone to incredible lengths…

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Work Over Your Head

By Steven Pressfield |

Writers of fiction learn early that they can write characters who are smarter than they are. How can that be? It doesn’t seem possible. The answer lies in the Mystery. The place that we write from (or paint from or compose from or innovate from) is far deeper than our petty personal ego. That place is beyond intellect. It’s deeper than rational thought. It’s instinct. It’s intuition. It’s imagination. If you and I cast Meryl Streep as Queen Boudica in our next Hollywood blockbuster, will we have any doubt that she can pull it off (even though she has never…

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Take What the Defense Will Give You

By Steven Pressfield |

Everybody loves the vertical game. We all thrill to the deep ball, the long completion, the 55-yard bomb that breaks the game open. (Yes, I’ve been watching a lot of football over the Holidays.) The problem is that, a lot of the time, the guys we’re playing against are as good or better than we are. Or they’re lucky, or they’re having a great day, or they’ve just studied our tendencies and know how to counter them. The defense won’t let us throw the deep ball. We’re dying to. We’re on fire to. But the bastards just won’t let us.…

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