Write For A Star
[The blog is on vacation this week. Here’s an encore of one of our most popular posts.]
“Write for a star” is one of the primal axioms of screenwriting, but it has applications across many other fields as well.
What does it mean to write for a star? Writing for a star means create a role that a star wants to play. Your story may be dynamite, your structure may be sound, your theme profound and involving. But the first question a producer is going to ask is, “Who can I cast in this thing?”
Moviemakers want scripts that attract stars. Because stars make movies happen. If we’ve got Matt Damon, the bank will write us a check. If Sandra Bullock says she’s in, the studio will give us a green light.
Stars put asses in the seats. If you and I go to a basketball game, we want to see Lebron. We came out for Kobe. I have zero interest in “the field.” I’m here for the headliner.
Products can be stars. The iPhone. The iPad. (Steve Jobs himself is a star.)
Style can be a star. Hemingway. Or look. Lady Gaga. Even absence can be a star: J.D. Salinger.
Don’t get me wrong. I’m not suggesting that we cast all artistic considerations to the wind and pander to some glam/slam concept of attention-grabbing. What I am suggesting is that, at at least one point during its evolution, we evaluate our material by asking ourselves, “Who’s the star here? Do we have one? Who (or what) supplies the bizazz that we need to make this material stand out?”
If we’re opening a restaurant, who’s our star? The chef? The look? The crowd?
What’s the star of our clothing line? Our non-profit? Our start-up school?
If our script, our opening, our business venture doesn’t have a star, how do we create one? Hollywood’s rules might help us here. Consider these bonuses reserved only for stars:
Stars make entrances.
Stars get star lighting.
Stars get the best lines.
Stars get Moments. Meg Ryan’s orgasm in When Harry Met Sally, Clint Eastwood’s “Make my day” in Sudden Impact.
Stars’ roles go somewhere. Stars’ characters change and grow.
Stars power the movie. In the climax, the star’s actions decide his own fate and define the meaning of the movie.
Even the tiniest scenes can be star moments. Did you ever see True Confessions, starring Robert Deniro? It’s a period piece, set in Los Angeles in the forties, in which Deniro plays a high-powered monsignor who is torn between the faith he wishes he could embrace and the wheeling-and-dealing he does all day long on behalf of the diocese. The legend goes that during production Deniro asked the director, Ulu Grosbard, if he could have one scene where the audience sees where his character sleeps. The director gave it to him. It’s a scene you might miss if you’re not paying attention. Deniro simply comes home from a long day among the city’s movers and shakers, mounts the stairs in the priests’ living quarters and enters a spartan room that contains nothing but a bed and an armoire. The actor has no dialogue; all he does is hang up his cardigan sweater (on a wire hanger) and sit down silently on the edge of the bed.
That’s a star scene. Only stars get Moments like that.
If we as creators are true to our calling, we’ll imbue even our most minor characters with stardust. As Francis Ford Coppola did with The Godfather. Clemenza. Johnnie Fontaine. Even Pauly. They all got to do what stars do—answer Stanislavski’s questions: Who am I, why am I here, what do I want?
I was working once with a male action star when a rival’s movie came out. The new film had a scene in which the rival star was captured by the bad guys and tortured. Next morning our star demanded a torture scene too. At the time I thought he was crazy. But he was right. A star needs a Torture Scene. It lets the audience know he’s the star.
Writing for a star is a deep topic. Much can be said, including the possibility that we ourselves are the star. But let’s leave our resolution at this for the moment:
At least once during our process (writing our novel, launching our bistro, founding our charter academy) we will ask ourselves, “Who is our star? Do we have one? And if we don’t, how can we create one?”
We’ll imagine living, breathing actors standing before us, each one representing one of our characters (or products or points of interface with our audience). Each will demand from us an answer to the following questions: “Where’s my Moment? Where’s my Torture Scene? Dude, gimme something I can play!“
Thanks, Steven. While reading this, I realized that this advice applies to non-fiction as well. Every person is a star in their own movie, and the only way to bring them to live is to discover and articulate their unique star qualities, “good” or “bad” (because they’re always good to the party of the first part 🙂
I actually just cast my entire new WIP in my mind. It’s going great so far. I see the movie in my mind, and I write down what I see.
July 9, 2011
A Rogue Warrior’s Strategy for Conservatives
By Rob Cunningham
During this anniversary month that marks America’s independence, and inspired by a personal sense of patriotism, I implore every freedom loving American to see Stephen K. Bannon’s documentary on the life and career of Sarah Palin. And furthermore, every conservative, Tea Party activist, free-market capitalist, persons of faith or no-faith, and all influential leaders, regardless of whom their preferred 2012 presidential candidate might actually be, should leverage all their talents, skills, resources and creativity to ensure the maximum number of people experience this movie in public theaters.
Stay with me on this, please.
Why do I make this claim? The simple clarity and raw truth offered in “The Undefeated” stands at the ready to educate tens of millions of citizens, perhaps influencing an entire generation of voters. This documentary deeply connects, on both an intellectual and emotional level, and stirs one’s very soul. This film brilliantly serves as a modern-day case study, and clearly illustrates how our agenda-driven news media, entertainment industry and political power brokers brazenly operate, in plain view and with cold-blooded intentionality, in a tireless attempt to destroy a very decent fellow citizen. When presented with basic facts, Americans will recoil in disgust.
If principled republicans, tea-partiers and libertarians choose to no longer remain silent, misinformed or “neutral” while one of our strongest and most influential “movement conservatives” is repeatedly and falsely attacked, we will empower every single person and candidate within our movement.
If, as members of the modern grass roots movement, we individually or collectively fail to mount an informed and honorable public defense of one of our generation’s most influential, ethical and popular figures, then I submit we are surrendered our courage. What message are we communicating to our neighbors and children if we stand by in silence as one of our most courageous, honorable and accomplished leader receives regular virtual stonings from our friends, family and media?
Sarah Palin brings positive energy, enormous influence and massive financial support to the entire conservative movement and all advocates of limited government. Regardless of her ultimate decision to run in 2012 or not to run, each person in America that holds a sense of fairness and appreciation for truth, should personally commit to seeing the upcoming movie “The Undefeated.” Viewers will become more informed and perhaps even more appreciative of our movement’s most prolific ambassador, recruiter and advocate.
The Sarah Palin I deeply appreciate, the accomplished, effective and popular citizen of Alaska, was the highest rated U.S. Governor in the history of Gallup polling, one who maintained statewide favorability ratings that exceeded 80% during both 2007 and 2008. She actually enjoyed an Alaska voter approval rating of 88% on the very August day in 2008 she was selected as the Republican party’s vice presidential candidate. Her life is remarkably extraordinary, yet one our traditional media refuses to tell.
In no manner whatsoever is it being suggested that one’s movie attendance equates to support for, or an endorsement of, Sarah Palin. However, the entire conservative movement will become dramatically empowered, in direct proportion to, the actual number of people that witness this film. This movie delivers a liberating education and razor sharp awareness of the methods used both by the media and establishment politicians from the left and the right. It will awaken the senses for those previously unconvinced of exactly how the modern day “progressive” movement comfortably uses lies, ridicule, false narratives and intellectual laziness to mislead their audiences. This movie delivers a massive body blow to the media, it dilutes the effectiveness of liberal scare tactics and will vaccinate millions against infection from traditional “news” reporting. By powerfully highlighting the media’s methods of distortion, one of the most powerful weapons used against all conservatives, is damaged.
“The Undefeated” will be released the week of July 15th through July 21st at AMC theatres in 10 major US cities. A positive reception at each of these theaters is critical to ensuring a much larger national audience benefits from this film. Those interested can purchase tickets online at http://theundefeated.cinedigm.com/tickets.html.
In one July week, our entire conservative movement can become enormously stronger if we work together and “get out the viewers.” Invite a few friends, visit with your neighbors or organize a youth group. By making a concerted effort to better educate ourselves and our fellow citizens, the best and brightest conservative leaders across our nation will benefit.
It’s easy to make a point. It is so much harder to make a difference. If conservatives in ten cities become engaged and encourage all they can to attend “The Undefeated,” we’ll each be making a positive difference in America. We’ll be helping to bring educational value to a generation of citizens and possibly impacting their lives, forever.
You can go to Sarah Palin’s website and buy the DVD.
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