Steven Pressfield Blog
Working for the Man
Question: what will you and I do differently when we exit the ranks of the officially employed and set out on our own as artists or entrepreneurs?
The Code of the Entrepreneur
I’m borrowing (again) from my entrepreneurship guru, Dan Sullivan. Dan identifies a statement that every entrepreneur makes to him or herself—whether she does this consciously or not. It’s the entrepreneur’s code, the independent businessperson’s declaration of principle:
Going to the Gym in the Dark
It’s five in the morning and we’re on our way to the gym. This happens six days a week, rain or shine, Christmas, Fourth of July, your birthday. I hate it. Everybody does. We’d all rather be home in bed catching those lazybones Z’s. Why do it then? For me, it’s not because I imagine I’m going to be the next Mr. Universe.
The Muse tests us
The goddess tests you and me 24/7. She flies over and peers down on us. What she wants to see is that we are dedicated to the journey, to the process, that we are in it for the long haul and for keeps.
Write the Big Moment Big
[In honor of The Godfather’s 50th anniversary, here’s one of my favorite Top Ten posts of the past.]
Tom Guinzburg saves my life
When I first submitted my manuscript for Gates of Fire, it was eight hundred pages long. It was as big as a Manhattan phone book. My agent, Sterling Lord, told me flat out, “Steve, I can’t sell this. You have to cut three hundred pages.”
The Universe Responds
It is not an idle or airy-fairy proposition to declare that the universe responds to the hero or heroine who takes action and commits, i.e. you and me when we plunge in, wholeheartedly, to a new creative venture.
The Known and the Unknown
When we set out to write a book or a movie—or when we embark upon any innovative venture—we’re taking a step that has terrified the human race since our days back in the cave.
Seb rescues Mia
Continuing our series on “Put your ass where your heart wants to be” …
A Writer’s Apprenticeship, Hollywood version
I had been in Los Angeles for about five years. I had written nine screenplays on spec (each taking about six months) and sold none. I had a terrific agent who was also a great friend, Mike Werner.