If it’s true that the Understory (the unspoken story-beneath-the-story) is more important than the Surface Story—and that it’s what REALLY pulls the reader/viewer through the drama—then what exactly is this thing? Where do we find it? And how do we as writers know if we even have one?Read More
I’ve been collecting Muse stories. Here’s an amazing one from Krista Tippett’s podcast, “On Being” (which I highly recommend subscribing to). It’s an exchange between the host, Ms. Tippett, and her guest, Elizabeth Gilbert, the author of Eat Pray Love, Big Magic, and many more—and a great and deep believer in forces that “are not dreamt of in your philosophy, Horatio.”Read More
Sterling Lord (that’s his real name) was the literary agent who sold my first work of fiction, The Legend of Bagger Vance, in 1994, and my most recent, A Man at Arms, in 2021. He also sold Jack Kerouac’s On the Road in 1954, Ken Kesey’s One Flew Over the Cuckoo’s Nest in 1962, and so many others it’s impossible to count.Read More
I was fortunate enough, a few months ago, to get a sneak look at an upcoming book called The Creative Act by Rick Rubin. Do you know who Rick is? He’s been called the Godfather of Hip-Hop. His recording studio, Shangri-La in Southern California, is and has been a mecca for everybody from the Beastie Boys to LL Cool J, to Run DMC, Public Enemy and many more.Read More
FREE MINI COURSE
Start with this War of Art [27-minute] mini-course. It's free. The course's five audio lessons will ground you in the principles and characteristics of the artist's inner battle.