Give a Star a Star Speech


Actors will admit it, if you ask: the first time they read a script, some part of them is scanning it for a great speech they can deliver.

"Do ya feel lucky, punk?"

“Do ya feel lucky, punk?”

A star speech.

A speech that says, “This is my movie (or my book).”

It’s our job as writers, yours and mine, to give that star a star speech.

A star speech can be long.

I believe in the small of a woman’s back, the hanging curveball, high fiber, good Scotch … I believe that the novels of Susan Sontag are self-indulgent overrated crap. I believe Lee Harvey Oswald acted alone. I believe there should be a constitutional amendment outlawing Astroturf and the designated hitter. I believe in the sweet spot, soft-core pornography, opening your presents Christmas morning rather than Christmas eve and I believe in long, slow, deep, soft, wet kisses that last three days.”

It can be a soliloquy.

To be or not to be, etc. etc.

A star speech can also be short.

“Go ahead, make my day.”

“Toto, I don’t think we’re in Kansas anymore.”

“Frankly, my dear, I don’t give a damn.”

A star speech doesn’t even have to be spoken by the star.

“You run away once, you got yourself one set of chains. You run away twice, you got yourself two sets. You ain’t gonna need no third set, ’cause you gonna get your mind right.”

“I’ll have what she’s having.”

Estelle Reiner referring to Meg Ryan in "When Harry Met Sally"

Estelle Reiner referring to Meg Ryan in “When Harry Met Sally”

But a star speech has to be memorable. It has to articulate the star’s point of view/philosophy/dilemma. It has to be a line or lines that only the central character of the book or movie (or a supporting character referring to that central character) can legitimately deliver.

“What a dump.”

“Of all the gin joints in all the towns in all the world, she walks into mine.”

“I ate his liver with some fava beans and a nice chianti.”

I know, I know. It ain’t easy to deliver lines like these on demand. I’ll bet the writers on Sudden Impact filled page after yellow page with candidates, answering Clint Eastwood’s directive, “Gimme a line people are gonna remember.” (Or, who knows, maybe Make my day appeared in the script organically.)

In any event, we want that line.

Our star wants it.

The audience/readers want it.

“She’s my sister. She’s my daughter … ”

"Third prize is you're fired." Alec Baldwin in David Mamet's Glengarry Glen Ross

“Third prize is you’re fired.” Alec Baldwin in David Mamet’s Glengarry Glen Ross

“Greed is good.”

“Always Be Closing.”

“We’re gonna need a bigger boat.”

Oh, did I mention? Every one of these lines and speeches is on-theme.






Steve shows you the predictable Resistance points that every writer hits in a work-in-progress and then shows you how to deal with each one of these sticking points. This book shows you how to keep going with your work.

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A short book about the writing of a first novel: for Steve, The Legend of Bagger Vance. Having failed with three earlier attempts at novels, here's how Steve finally succeeded.



Steve shares his "lessons learned" from the trenches of the five different writing careers—advertising, screenwriting, fiction, nonfiction, and self-help. This is tradecraft. An MFA in Writing in 197 pages.



Amateurs have amateur habits. Pros have pro habits. When we turn pro, we give up the comfortable life but we find our power. Steve answers the question, "How do we overcome Resistance?"



  1. bruce jones on June 7, 2017 at 7:09 am

    This is a fun article, we forget about where do all those great lines come from. But they pop into the world they live forever.

  2. Mary Doyle on June 7, 2017 at 9:00 am

    This is something I needed to be reminded of – thanks for a timely post!

  3. Michael Beverly on June 7, 2017 at 9:12 am

    “You’re gonna need a bigger boat” was line brought about by serendipity. As the film crew had been complaining about the tight budget by saying they needed a bigger boat, the star picked it up.

    So, credit to neither writer nor actor for inventing the line, although Roy Scheider gets a pat on the back for saying it in the right spot.

    I wonder sometimes (often) while writing dialogue for a novel how much it needs to be different than what I’m used to hearing on the screen.

  4. Miri on June 7, 2017 at 10:11 am

    Can any of Steves readers recommend a support group that helps with meeting resistance based challenges. I have a hard time waiting till Wednesday’s for my dose of support?. Or any reading material that helped fight the self doubt and self sabotage would also help. Steve, I can’t thank you enough for all you have helped me so far with your books and articles. God bless you with health wealth and happiness!

  5. Jim on June 7, 2017 at 12:10 pm

    one of my favorites – “once again, things that could have been brought to my attention yesterday”

  6. Lynn on June 7, 2017 at 1:11 pm

    This is such good advice. Excuse me, now. I have to go check my manuscript and see if there is a star line in it. 🙂

  7. Peter Fritz on June 7, 2017 at 6:15 pm

    This is so helpful right now. My first little book needs something like this. Thanks, Steven.

  8. Regina Holt on June 8, 2017 at 9:32 am

    Knife to a gunfight… 😀

  9. coca on January 15, 2020 at 11:23 pm

    I have read through other blogs, but they are bloated and more confusing than your post. I hope you continue to have such quality posts to share with everyone! I believe a lot of people will be surprised to read this article!
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  10. James Jordan on July 27, 2023 at 5:24 am

    I liked how you explained the steps to give a star a star speech, such as choosing the right occasion, finding the right star, preparing the speech, and presenting the certificate.
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