Everybody Loves the Bad Guy


Shakespeare, Milton and Dante all understood villains. They loved villains. Their villains are their greatest creations.

The Bible is loaded with spectacular villains, as are all cultural myths from the Mahabharata to the Epic of Gilgamesh to the saga of Siegfried.

Is he the greatest villain ever?

Is he the greatest villain ever?

Great villains eclipse even the heroes who vanquish them.

Flash Gordon was a pale shadow alongside Ming the Merciless.

Clarice Starling was cool, but who could forget Hannibal Lecter?

The villain not only steals Paradise Lost but walks off with the most unforgettable line.



Better to reign in hell than serve in heaven.


Film directors relish villains because villains light up the screen. Actors love to play Bad Guys. What onscreen outrage could be more memorable than crushing a half-grapefruit into your wife’s face, as James Cagney did to Mae Clark in Public Enemy, or, as Richard Widmark’s unforgettable act of villainy in Kiss of Death, pushing an old lady in a wheelchair down a flight of stairs?

Wait, what about him?

Wait, what about this guy?

James Bond always goes up against diabolical villains, as do Superman, Batman, Spiderman and Iron Man. How many franchises (Alien, Terminator, Jaws, Predator) are driven not by heroes but by villains?

The more years I labor in the storytelling racket, the more I appreciate the value of a great antagonist.

For you and me as writers, our bad guys may be more important even than our heroes.

[For the next few weeks we’re going to return to our series on Bad Guys, which we started a while ago and then moved off from for our “Reports from the Trenches.” More on villains next week.]


Steve shows you the predictable Resistance points that every writer hits in a work-in-progress and then shows you how to deal with each one of these sticking points. This book shows you how to keep going with your work.

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A short book about the writing of a first novel: for Steve, The Legend of Bagger Vance. Having failed with three earlier attempts at novels, here's how Steve finally succeeded.



Steve shares his "lessons learned" from the trenches of the five different writing careers—advertising, screenwriting, fiction, nonfiction, and self-help. This is tradecraft. An MFA in Writing in 197 pages.



Amateurs have amateur habits. Pros have pro habits. When we turn pro, we give up the comfortable life but we find our power. Steve answers the question, "How do we overcome Resistance?"



  1. Mary Doyle on November 8, 2017 at 4:11 am

    Looking forward to this – thanks!

  2. John Charles Thomson on November 8, 2017 at 2:06 pm

    “Wait, what about this guy?” That is the most frightening villain I have ever seen (and I’ve done 20 years in prison) That movie still haunts me. Always love what you have to say about story writing.

  3. Julie Murphy on November 8, 2017 at 8:41 pm

    Good reminder. Thanks, Steve.

  4. […] Opposition provides the conflict necessary for your protagonist to make choices, thereby revealing their true nature. Actions always speak louder than words. Your protagonist will be known by their responses to conflict, and it’s the adversary that forces those choices and invokes change. Steven Pressfield has written insightful articles exploring the nature of a top-notch villain here and here. […]

  5. Usain Watson on August 4, 2021 at 4:11 am

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