Steven Pressfield Blog
General Sam V. Wilson
I’m in awe of everything General Sam Wilson has done. His is a name that everyone should know. He’s accomplished more in his lifetime than many of us dare to dream about. He served as a reconnaissance officer with Merrill’s Marauders in Burma, during WWII; as a CIA spy-ring operator in Berlin, uncovering Soviet secrets; as a director of instruction at the U.S. Army Special Warfare School; as a civilian working with USAID in Vietnam and then in the personal rank of minister at the U.S. Embassy in Saigon; and then back in the military, as a Special Forces Group…
Start Before You’re Ready
In the past few weeks we’ve put up a couple of posts—“Cover the Canvas” and “Start at the End”—that seem like advice on the subject of writing. They aren’t. They’re about beating Resistance. A number of the principles that work against Resistance are counter-intuitive. They seem to make no sense, but in fact their logic is impeccable. Here’s one that’s worked for me many times: Start Before You’re Ready. Don’t wait till you’ve got your ducks in a row. Dive in now. Have you ever asked a friend who’s an artist or entrepreneur how they’re doing on a project you…
Joe Galloway
Joe Galloway set the standard for today’s journalists. Whether he was reporting from Vietnam with General Hal Moore or the Persian Gulf with General Norman Schwarzkopf, or writing about the battles of today, his work has been steeped in honesty and integrity. He remains the only civilian to receive a medal of valor from the U.S. Army, for heroism during the Vietnam War—the Bronze Star Medal with “V” device. In 1991, he received a National Magazine Award for his U.S. News & World Report cover story “Vietnam Story.” With General Hal Moore, he wrote the classics We Were Soldiers Once…
Loving A Writer
Are you in love with a writer? Are you sure about this? Sure you don’t want to try someone easier on your heart, like a bull rider, a Black Ops commando or a motorcycle stuntman? Herewith, from painful experience, a few guidelines for those who have given their hearts to servants of the literary Muse. (The following observations apply equally, of course, to actors, artists, musicians, comedians, entrepreneurs and all others of this particularly unruly stripe). Please, lovers, keep the following in mind: 1) Writers are not normal. E.L. Doctorow calls writing “a socially acceptable form of schizophrenia.” What he…
Start At The End
Last week we were talking about first drafts (Cover the Canvas, 6/9/10). The idea was to get Draft #1 done from beginning to end, no matter what, even if it wasn’t perfect. The reason? Because once we’ve got a first draft, we’re re-writing, not writing. Writing is too freakin’ hard. The obvious next question (or maybe it’s the preceding question) is: “Okay, but how do we decide what’s in the first draft?” Work from back to front Here’s a principle that screenwriters use: Start at the end. Begin with the climax, then work backwards. I’m a big fan of this…
Sunni Brown
I was introduced to Sunni Brown via the visual book summaries she did of The War of Art. I’ve read different things people have written about the book in the past, but this was the first visual. And it blew my mind. I’ve talked about doing a “2.0” version of The War of Art in the past. Sunni’s work introduced me to what one part of 2.0 might look like—kind of like going from living in the first dimension book world to the fourth dimension multi-media world, where we work on multiple “planes.” On her site, there’s a quote about…
Karzai’s Counterinsurgency Strategy
Marc Ambinder, politics editor of The Atlantic, explains that there exists a general perception among theorists and policy planners in the Pentagon’s policy shop that General McChrystal’s counterinsurgency strategy has failed to sustain Hamid Karzai’s government in critical areas and is therefore destined to ultimately fail. “This is not how the war is supposed to be going. . .” So, why isn’t the war going as planned? Maybe we should assess the counterinsurgency effort from President Karzai’s perspective and focus less on our Americo-centric point of view. What is President Karzai’s counterinsurgency strategy? President Karzai’s “clear-hold-build-consolidate” approach to counterinsurgency is…
Cover the Canvas
Is the first draft the hardest? Is it different from a third draft, or a twelfth? Does a first draft possess unique challenges that we have to attack in a one-of-a-kind way? Yes, yes and yes. First drafts are killers A first draft is different from (and more difficult than) all subsequent drafts because in a first draft we’re filling the blank page. And we know what that means: Resistance. Here’s my mantra for first drafts. Cover the canvas. What that means is get something done from A to Z, no matter how imperfect. A first draft doesn’t have to…
Mark Safranski
I met Mark Safranski last year, just after launching “It’s the Tribes, Stupid.” Soon after the videos launched, he wrote a post for his blog “Zenpundit.” Though he didn’t agree with everything I said, he showed respect for the effort. That’s one sign of a professional. He might not always agree with you, but he’ll respect the effort, and avoid personal attacks. In addition to setting a high standard for blogging at ZenPundit, Mark holds an MA in diplomatic history and an MS.Ed in administration, is a teacher, educational consultant and was an adviser to a privately held internet platform company, Conversationbase,…
Second Act Problems
I’m reading a terrific book by David Mamet called Three Uses of the Knife. It’s not a play or a novel, it’s a treatise on the subject of drama. There’s some great stuff in it, particularly in the section Mamet calls “Second Act Problems,” that we as writers, artists, entrepreneurs (and just plain human beings) can profit from. All writers know: Act One is easy. You come up with some crazy idea and heave it against the wall. Act Three isn’t that hard either. We’ve figured out where we’re going; we just tromp on the accelerator and go there. Ah,…
DO THE WORK
Steve shows you the predictable Resistance points that every writer hits in a work-in-progress and then shows you how to deal with each one of these sticking points. This book shows you how to keep going with your work.
NOBODY WANTS TO READ YOUR SH*T
Steve shares his "lessons learned" from the trenches of the five different writing careers— advertising, screenwriting, fiction, nonfiction, and self-help. This is tradecraft. An MFA in Writing in 197 pages.
THE WAR OF ART
Read this one first.
It identifies the enemy—what I call Resistance with a capital “R,” i.e. fear, self-doubt, procrastination, perfectionism, all the forms of self-sabotage—that stop us from doing our work and realizing our dreams.
Start here.
Everything else proceeds from this.
TURNING PRO
Amateurs have amateur habits. Pros have pro habits. When we turn pro, we give up the comfortable life but we find our power. Steve answers the question, "How do we overcome Resistance?"
THE AUTHENTIC SWING
A short book about the writing of a first novel: for Steve, The Legend of Bagger Vance. Having failed with three earlier attempts at novels, here's how Steve finally succeeded.
DO THE WORK
Steve shows you the predictable Resistance points that every writer hits in a work-in-progress and then shows you how to deal with each one of these sticking points. This book shows you how to keep going with your work.