Steven Pressfield

Winning the First Battle in the Lifelong War of Art

By Steven Pressfield |
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Getting Ready for Tomorrow

By Steven Pressfield |

  The last thing I do before closing my eyes to sleep is to mentally prepare myself for the fight tomorrow. How easy it is, congratulating yourself after a productive today, to talk yourself into slacking off tomorrow. The first post in this series was titled RESISTANCE WAKES UP WITH ME. It does, and I know it. Resistance will hit me tomorrow morning before I even open my eyes. It will try to turn my success today into failure tomorrow. Resistance will try to convince me I can relax, ease up. “You put a good day in the bank today. Enjoy…

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How the Spartans Would Fight COVID-19

By Steven Pressfield |

A (true) question from antiquity:

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One Word and Done

By Steven Pressfield |

I did an Instagram “live” a few days ago with the thriller writer Jack Carr. Do you know him? He’s a former Navy SEAL sniper and task force commander, who is a natural-born teller of ripping yarns that grow out of his own experience in the hot political and military spots around the globe.

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The Goddess Visits at Night

By Steven Pressfield |

I’m not joking when I say I do some of my best work in bed. In the middle of the night. Something about that twilight stage of consciousness when we’re not awake but not asleep either. Why do ideas come to us in the shower, or where we’re shaving or driving on the freeway and hanging onto a strap in the subway? Those too are twilight states. They are “gateway stages” when the membrane is down and insights can bubble up from the Muse’s secret sanctuary. The ego, I believe, is the generator of Resistance. So when the ego is…

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Churchill’s “K.B.O.” (Or something like that.)

By Steven Pressfield |

There’s a skill that you and I as long-form writers have had to develop that will serve us (and everyone else) very well in this “time of cholera.” I’m not sure this virtue even has a name.

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Kiwi Virtues in a Time of Trouble

By Steven Pressfield |

A few years ago when I was researching my WWII book Killing Rommel, I immersed myself in reading about a British commando unit called the Long Range Desert Group. Have you heard of these guys? They fought behind the lines against Rommel and the German Afrika Korps. Their vehicles were civilian Chevy “hundredweights,” i.e. ton-and-a-half pickups. Into these they packed fuel, water, weapons, navigation gear, and spare parts. Their theater of war was the North African desert. In patrols of six to eleven trucks they routinely ventured a thousand miles from the nearest aid to work “beat-ups” on Axis airfields…

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“Pandemic,” a Poem by Lynn Ungar

By Steven Pressfield |

With special thanks to our good friend Joe Jansen, who sent me this poem, and to the website Science and Nonduality where it appeared … here is “Pandemic” by San Francisco poet Lynn Ungar, www.lynnungar.com.   Pandemic   What if you thought of it as the Jews consider the Sabbath— the most sacred of times? Cease from travel. Cease from buying and selling. Give up, just for now, on trying to make the world different than it is. Sing. Pray. Touch only those to whom you commit your life. Center down.   And when your body has become still, reach…

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Between Books

By Steven Pressfield |

Writers sometimes ask me, “What should I do between books?” My answer: There should never be a “between books.” Don’t stop. Don’t blow your momentum. Myself, I want to be ninety pages into the next book before I finish the one I’m working on now. My aim is to move seamlessly from one to the other. If I knock off Book #13 on Tuesday, I’m deep into the trenches on #14 Wednesday. Why? Resistance. Resistance loves it when we stop working. I have a friend at the gym who used to hang out with Jack Lalanne. He said Jack had…

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Scuffling in Tinseltown

By Steven Pressfield |

When I came out to Hollywood from New York, one of my first paying gigs was working on a low-budget action script with the director Ernie Pintoff. Ernie had actually won an Oscar (you can look it up) for a short subject called “The Critic” with Mel Brooks. But mostly he made his living doing episodic television. Ernie and I would work at his house in Outpost Canyon. We sat side by side at a huge oak table in his kitchen. Sometimes we’d work for eight or ten hours at a crack. I’d drive home exhausted. Ernie never spoke to…

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