Writing Wednesdays

Story and Understory

By Steven Pressfield |

One of my favorite scenes in movies of the past few years is the Frozen Park Bench scene in the first of the Jason Bourne movies—The Bourne Identity.

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YAEL DAYAN 1939-2024

By Steven Pressfield |

At 0815 hours on 5 June [1967] we gambled all we had. What for other countries would have been defeat, for us would mean extermination. It was not possible for us to lose the war and survive and each man carried this knowledge in his heart when we moved west.

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Missing Missing Missing

By Steven Pressfield |

I had a boss when I worked in advertising who used to call together the Creative Group (four two-person teams of copywriter and art director) just before he would submit a pitch or proposal to a client.

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Fellini’s Screenplay

By Steven Pressfield |

Forgive me if I get this story wrong; it’s probably apocryphal anyway. It’s about the great director Federico Fellini and his screenplay for La Dolce Vita (1960).

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How Alone Are We?

By Steven Pressfield |

One of the reasons a community of writers and artists is important, even a virtual one like our Writing Wednesdays, is because each of us is, in our work, essentially ALONE.

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My Favorite Prompt

By Steven Pressfield |

Preparing to host a writing retreat got me thinking about writing prompts, i.e. the “assignment” you and I might be given if we attended a writing workshop.

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A Class With Me

By Steven Pressfield |

Except one time—in Nashville in 2019—I’ve never taught a live class.

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Just Write the Damn Thing #3

By Steven Pressfield |

There’s another reason why plunging in can help us more than outlining or doing a treatment or engaging in some other prep action.

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The Writer’s Voice

By Steven Pressfield |

How do you find your writer’s voice? A lot of humbug has been written on this subject. The myth is that in finding that voice, the writer achieves a kind of personal enlightenment. She discovers “who she really is.”

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Finishing

By Steven Pressfield |

Yesterday I finished a book I’ve been working on for two and a half years—a sequel to A Man at Arms (2021). I sent the manuscript off to my agent and to some friends who have a movie option on the previous book.

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