Writing Wednesdays
I know Giving It Away is supposed to work as a web marketing strategy, bringing in new customers. (Like when rock bands offer free downloads of their songs and the new listeners then go out and buy the group’s CDs or attend their concerts.) I’ve tried this. I must confess that so far the only part I’ve mastered is giving it away. But there’s one gentleman who really knows how to do this crazy new thing and actually make it work.
Read MoreLast Wednesday I wrote a post called “Self-Doubt.” It shared a rough patch I was going through on the book I’m working on now. I put it out there because I wanted other writers and artists (who know this already but perhaps needed a little reminder, as I do) to remember that they aren’t alone when they themselves struggle with this demon. People wrote in. I want to say thanks to all of them, to those friends and trench-mates who said thanks and who offered me encouragement. I appreciate it. It meant a lot to me.
Read MoreTrue confessions: I’m 95% through a project I’ve been working on for two years, and I find myself suddenly wracked with self-doubt. All the negative thoughts that we’re all so familiar with are surfacing. Have I screwed the pooch? Have I lost my mojo? Do I really have anything worth saying? I know the tune. The question is: What do I do about it?
Read MoreThere’s a story in The War of Art about the afternoon when I finally, finally finished my first novel manuscript–after failing ignominiously in numerous attempts over the previous ten years. I was living in a little town in Northern California then; I trotted down the street to my friend and mentor Paul Rink and told him the triumphant news. “Good for you,” he said without looking up. “Start the next one tomorrow.” There’s big-time wisdom in what Paul said and here’s why:
Read MoreI had been writing professionally for 30 years when I read Noah Lukeman’s The First Five Pages, a Writer’s Guide to Staying Out of the Rejection Pile–and I still learned a ton of valuable stuff. Get this book. If you’re an aspiring writer, it’ll save you from the agony of unnecessary rejection. (You may still get rejected, but at least it won’t be unnecessarily.) Even if you’re a grizzled pro, Mr. Lukeman’s short, smart book is worth reading just to re-bone on the basics.
Read MoreI was making a long drive this week, across the desert from L.A. to Phoenix, and I got to thinking about the elements that comprise success-particularly for people like us, e.g. writers, artists and entrepreneurs, who work from the heart and on their own, without any imposed external structure. What are the skill-sets we need? Over a lifetime, what challenges do we need to master? In today’s post, I’m attaching a podcast of an interview I did with Jen Grisanti, who helms a Los Angeles-based consulting firm dedicated to helping talented writers break into the industry, shape their material, hone…
Read MoreHow do you get a project started? Sometimes the thoughts in our head are so scattered, we don’t know where to begin. Here’s a trick that my friend Paul Abbott taught me: Just start.
Read MoreBecause of the response to Monday’s posting of Major Jim Gant’s paper One Tribe At A Time, I’d like to keep the post “above the fold” all week, and run a shorter “Writing Wednesdays” post this week. The focus? Resistance and Major Gant.
Read MoreMy first real job was in advertising. I worked as a copywriter for an agency called Benton & Bowles in New York City. An artist or entrepreneur’s first job inevitably bends the twig. It shapes who you’ll become. If your freshman outing is in journalism, your brain gets tattooed (in a good way) with who-what-where-when-why, fact-check-everything, never-bury-the-lead. If you start out as a photographer’s assistant, you learn other stuff. If you plunge into business on your own, the education is about self-discipline, self-motivation, self-validation. Advertising teaches its own lessons. For starters, everyone hates advertising. Advertising lies. Advertising misleads. It’s evil,…
Read MoreIf you’ve read The War of Art, you know that the thematic core of the book is the concept of Resistance. Resistance with a capital R, which the book defines as “an energy field radiating from a work-in-potential. It’s a repelling force. It’s negative. Its aim is to shove us away, distract us, prevent us from doing our work.” Resistance is what keeps an entrepreneur from making the cold calls he knows he has to, to get his business rolling. It’s the force that keeps an aspiring painter away from her studio, or makes a writer back off from the…
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