Steven Pressfield
When I was living out of the back of my ’65 Chevy van, there was a kind of dude I used to run into from time to time. A hard-core road character, burnt brown by the sun, unbathed in months, living on dimes a day. I probably met and spent time with a dozen guys like this in places like Texas and Louisiana, northern California, Washington state—giving them rides, working day-labor jobs, staying up all night talking. They carried guitars and no-hope dreams. I used to ask myself, listening to their tunes in a stoned haze some place that I…
Read MoreOne of the great joys of being a writer is that, through your books, you get to meet some pretty amazing people. One of those in my world is Hermes (Ioannis) Melissanidis from Greece. Hermes won a gold medal in gymnastics at the Atlanta Olympics. Here’s the video if you’ve never seen it. I met Hermes because of Gates of Fire. He wrote to me, telling me that he once had to perform in a gymnastics final when he had a broken rib. He was going to withdraw, but he happened to have Gates in his gym bag and he…
Read MoreSome of the most popular posts in this space have been those in the “Artist and Addict” series. One point those posts made was that there’s not that big a difference between an artist and an addict. Many artists are addicts, and vice versa. Many are artists in one breath and addicts in another. They’re in the studio on Monday and in Betty Ford on Friday. What’s the difference? The addict is the amateur; the artist is the professional. Both addict and artist are dealing with the same material, which is the pain of being human and the struggle against…
Read MoreIf you’re an artist or entrepreneur, you should know Jonathan Fields. Next to Seth Godin (sorry, Mr. F., nobody ranks with Seth), Jonathan’s insights–creative and commercial—are in my opinion the most original and far-ranging. He has a new book called Uncertainty, which just came out a couple of days ago. Jonathan was kind enough to sit still for a quick interrogation: SP: The subject of learning to operate effectively, despite finding oneself in a position of uncertainty is a fascinating one. What I’m curious about is why you chose it? It’s actually quite esoteric (which I love) and unexpected (which I…
Read MoreThanks to our dear friend Jeff Sexton, who sent in this clip of sci-fi superstar Harlan Ellison cutting loose with one of his tastiest rants. If you haven’t got three-and-a-half minutes, here are a few tidbits from Mr. E’s sulfuric screed: “I don’t take a piss without getting paid for it.” “I’m supposed to give a freebie to Warner Bros.? What, is Warner Bros. out on the sidewalk with an eyepatch and a tin cup?” “It’s the amateurs who screw things up for the professionals by giving it away for free.” “Pay me! Cross my palm with silver!” “Are they…
Read MoreI was at a Writers Guild meeting in Hollywood a few years ago; the members were debating whether or not to go out on strike. A microphone had been set up; one screenwriter after another stepped forward and spoke, pro or con. Each time the same Jekyll-and-Hyde transformation took place. The scribe started out low-key, logical, articulate. Within forty-five seconds the veins began popping out on his neck. His eyeballs bulged, his fists clenched. Finally, frothing at the mouth, he unleashed a rabid jeremiad. “F#@k the studios! Cut off the producers’ balls! Strike! Strike! Strike!” Writers carry around a lot…
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