Writing Wednesdays

Make Your Hero Suffer

By Steven Pressfield |

[Down to the last two days of our Black Irish Christmas Special—the 7-Book Megabundle for Writers. Keep a couple for yourself and spread the rest around to “worthy recipients.”]   There’s a story about Elvis: He was about to make his first movie (“Love Me Tender”) and he was getting a little nervous. He phoned the director and asked to speak with him privately. “What is it, Elvis? You look upset. Is there anything you want to ask me?” “Yes,” said Elvis. “Am I gonna be asked to smile in this movie?” The director was taken aback. No actor, he said,…

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“Think of This Movie as a Sausage”

By Steven Pressfield |

[Don’t forget the huge savings on our Black Irish Christmas Special—the 7-Book Megabundle for Writers. Keep a couple for yourself and spread the rest around to “worthy recipients.”] A few years ago I was working on a “B”-movie at Warner Bros. There was a car chase in the script, and the director, who was young and on fire to do something really special, came up with an idea that he thought would take that scene from good to great. He went to the office of the Warners’ exec who was in charge of the production (and thus controlled the budget) and…

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Hardest Stuff First

By Steven Pressfield |

[Don’t forget the huge savings on our Black Irish Christmas Special—the 7-Book Megabundle for Writers. Keep a couple for yourself and spread the rest around to “worthy recipients.”] When I was in my twenties one of the ways I kept body and soul together was moving furniture. The first thing that experienced movers will tell a rookie is Take the Heaviest Stuff First. Why? Because if you wait till mid-afternoon before tackling that grand piano, you’ll be so tired you won’t be able to handle the weight and the cumbersomeness. I have the same rule for writing. Attack the hardest parts…

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Russell Wilson’s Bird

By Steven Pressfield |

  [Don’t forget the huge savings on our Black Irish Christmas Special—the 7-Book Megabundle for Writers. Keep a couple for yourself and spread the rest around to “worthy recipients.”]   This is gonna be a different kind of post today. I want to talk about a TV commercial. Why? First, because this 30-second spot is in my opinion a legitimate work of art. I’ll go so far as to say it’s outstanding art. Second, because this commercial (it’s really a mini-movie) is a brilliant depiction of the Artist’s Inner World. It doesn’t intend to be, but it is. It’s your…

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Boiling A Frog

By Steven Pressfield |

With notable exceptions, just about any story that hopes to produce a powerful impact must build to a climax that strains everyday credulity. An astronaut makes it back safely from Mars, a seventy-year-old male intern saves a hip young female CEO, an outcast high school girl named Carrie immolates her tormenters with her telekinetic powers.

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Steal Without Shame, Part Three

By Steven Pressfield |

My friend Dave wrote to me a week ago with a problem. How do we as artists and entrepreneurs transition to the next project? Dave had just turned in a manuscript. He was trying to get the next idea going. The problem was he didn’t know what that idea was going to be. For me, the transition is as pernicious a Resistance war as the previous project’s attack towards the finish line. Yes, I know we’re supposed to show up, buckle in, lace up the work boots, and “start the next one tomorrow.” [But] sometimes [we] write and write and it…

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Donald Trump and Your Next Project

By Steven Pressfield |

One of the questions I get asked a lot is, “How do I decide on my next project? I have so many ideas, I don’t know which one to choose.” My usual answer is, “Pick the one that scares you the most.” The reason this works is you’re using your own Resistance to guide you. Since Resistance will always be strongest in the case of the project that’s most important to the evolution of your soul, you will feel the most fear when you contemplate working on that project. Voila! That’s the one you should choose, just like an actor…

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Novels Are Dangerous

By Steven Pressfield |

  Writing a novel can test your sanity. Consider what you’re letting yourself in for. A two- to three-year slog with no external validation or reinforcement, no paycheck, no day-to-day structure except that which you impose yourself. Support from friends and family? Dubious. Future rewards? Highly uncertain. And we’re not even talking about the work. Will your Significant Other understand? The best advice to the mate of a novelist (or to anyone with aspirations in this direction) is to sit down, pour yourself a stiff drink, and make sure in your heart that this is a starship you’re ready to…

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Who R U?

By Steven Pressfield |

Why do we write? Most of us, if we’re honest, probably can’t answer that question. That’s not a bad thing. What I mean is, the reasons that compel us as artists to do the work we do are often (if not always) so deep and so hidden that we’re kidding ourselves if we claim we can name them or understand them. If you’re a writer, you’re compelled to write. Just like a dancer has “gotta dance” or a singer has to sing. Why? I believe in destiny. Each of us is unique, I believe, and every one of us was…

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Adding Steps

By Steven Pressfield |

This post goes out with thanks to my friend Derick, who taught me a type of Resistance I had never thought of (or at least had never given a name to.)

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