Writing Wednesdays

What It Takes

By Steven Pressfield |

I’m going to try something new over the next few months. Remember, a few weeks ago, we commandeered this Writing Wednesdays space to post a series called, with apologies to John Steinbeck, a “A Writer’s Journal of (Finishing) a Novel?” I was, then, in the final writing throes of a book I’d been working on for the past three years, and I posted a blow-by-blow account of that adventure. Well, now I’d like to do that for the next stage: the editing, publicizing and marketing process. This doesn’t mean the end of our regular Writing Wednesdays posts, I promise. But…

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The Amnesiac’s Story

By Steven Pressfield |

[The blog is on vacation this week. Happy Thanksgiving to all! Here’s one of my fave posts from a little while ago:] Two of the most popular movies of the past few years are The Hangover and The Bourne Identity. What do they have in common? They’re both amnesia stories. I love amnesia stories. What could be more fun? Guy wakes up face-down on the floor of a villa in Vegas, or floating in a wetsuit off the coast of Marseilles. He remembers nothing. Who is he? How did he get there? And where the hell did that tiger in the bathroom…

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The Opposite of Resistance

By Steven Pressfield |

Here’s a subtle but crucial point for us to hold in mind as we slog through the trench warfare of the artist’s journey, battling Resistance every step of the way. Remember: Resistance arises second. What comes first is the idea, the passion, the work we are so excited to create that it scares the shit out of us. Resistance is the response of the frightened, petty, small-time ego to the brave, generous, magnificent impulse of the creative self. Resistance is the shadow cast by the innovative self’s sun. What does this mean to us, as we duel our demons? It…

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Rosanne Cash’s Dream

By Steven Pressfield |

[The following excerpt from Rosanne Cash‘s Composed hit me like a two-by-four between the eyes. Thanks to Ms. Cash for permission to run it.  The book is brand-new and it’s keeping me up nights. It should be required reading, in my opinion, for all serious writers, artists and musicians, particularly women. But judge for yourself. I’m giving over the whole of today’s post to this passage from Rosanne Cash’s Composed. [Note: “King’s” is King’s Record Shop, the 1987 album that produced four #1 singles. And now: over to you, Rosanne …] It was late in the making of King’s that…

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What To Keep and What To Cut

By Steven Pressfield |

[First, huge thanks to everybody who wrote in in response to last week’s When It Works. Wonderful stuff, from the heart. It’s tremendously gratifying to me, I must say, to see this site evolving into a real peer-to-peer meeting ground–and I include myself as one of those peers. I picked four “winners” instead of three, but could easily have chosen ten or more. Congrats to Anjanette, Stef, David Layton and Dana. I’ll get your signed War of Arts out right away. Thanks to everybody! Now to this Wednesday’s post … ] Have you seen the director’s cut of Apocalypse Now?…

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When It Works

By Steven Pressfield |

I want to try something different this week. I’d like to ask our readers to write in. What I’m looking for is mini-posts about a moment in your writing or painting or filmmaking or any artistic or entrepreneurial career “when it worked.” When your stuff actually connected person-to-person. Here’s the kind of moment I mean: When It Worked Moment #1 This just happened last week. Gates of Fire is a historical novel I wrote; it’s about the 300 Spartans at Thermopylae in 480 B.C.  I got the following e-mail (and the photo on the right) from a staff sergeant in the Special…

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My Life As A Mad Man

By Steven Pressfield |

[First, many thanks to everyone who made our two-day $1.99 special on the eBook version of The War of Art so successful. The switchboards were lighting up like the Fourth of July. Even if you just browsed and didn’t pull the trigger, thanks for the thought. Your interest and attention are very much appreciated. [As of today, the FastPencil price on The War of Art goes back to $9.99. All other platforms set their own freight. We have no influence, alas. (Meanwhile, I’m hard at work on The War of Art 2.0., which I hope to have in six months…

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Two Days Only: “War of Art” eBook for $1.99!

By Steven Pressfield |

Once upon a time, I worked in advertising. I used to write those TWO DAYS ONLY (exclamation point!) headlines all the time, for toothpaste or dog food or checking accounts. It’s a giggle to be doing it now for The War of Art. Here’s a link to the store. Today and tomorrow only—10/20 and 10/21—get the eBook for a buck ninety-nine. Amazon Kindle, Apple iBooks (iPad and iPhone), Barnes & Noble Nook, Borders Kobo and Ingram Digital. There’s also a .pdf version you can download and read on your computer. If anything goes wrong, write me or Michael Ashley—[email protected]—and we’ll…

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“The War of Art” eBook for $1.99!

By Steven Pressfield |

One of the mantras of Writing Wednesdays is the ongoing effort to think like a professional, work like a professional, be a professional. But sometimes it’s not so bad to be a lucky amateur either. To wit, here’s a serendipitous tale from a couple of weeks ago. I had just received the umpteenth note—this time via Facebook—from a frustrated reader who was trying to order the Kindle eBook of The War of Art. (The Amazon page has been crashing regularly since it first went up.)  “Why,” the reader wanted to know, “does Amazon keep saying there’s no such book? And why…

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The All Is Lost Moment, Part Two

By Steven Pressfield |

Let’s plunge right in, picking up our interview with Hollywood story consultant Jen Grisanti: SP: Jen, what are your own favorite “All Is Lost” moments from movies?  Can you give us one from something recent and then break it down for us? JG:  I love the “All Is Lost” moment from the George Clooney movie, Up In The Air, screenplay by Jason Reitman and Sheldon Turner from the novel by Walter Kirn. To set the stage, Ryan (Clooney) is an executive whose job is to fire people. When companies downsize, they outsource this unpleasant task to the company Ryan works…

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