“What I have tried to do is follow the dictates of Necessity. This is the solitary god I revere and, in my opinion, the only god that exists. Man’s predicament is that he dwells at the intersection of Necessity and free will. What distinguishes statesmen, as Themistocles and Pericles, is their gift to perceive Necessity’s dictates in advance of others—as Themistocles saw that Athens must become a sea power and Pericles that naval supremacy prefigures empire. That course of individual or nation aligned with Necessity must prove irresistible.”

I was in the middle of writing Eat, Pray, Love, and I fell into one of those sort of pits of despair … [and] I started to think I should just dump this project. But then I remembered Tom [Waits] talking to the open air [when inspiration for a song hit him while he was driving on the freeway and had no way to record it] and I tried it. So I just lifted my face up from the manuscript and I directed my comments to an empty corner of the room. And I said aloud, “Listen you, thing, you and I both know that if this book isn’t…

I started The War of Art with this thought:

You could join the Foreign Legion. You could cross Antarctica on foot.

I have a friend who runs a literary agency in Hollywood. She represents screenwriters. I was having lunch with her a few weeks ago and I asked her, “Is there any one mistake you find your writers making over and over?”

I’ve been doing a video series on social media called “The Warrior Archetype.” One of the points I’m trying to make is that exterior virtues that we often associate with soldiers and physical combatants can also be called upon by you and me as we fight the interior “war of art.”

Far from Heaven (2002) is not an all-time great movie, but I confess I love it. Almost entirely for the ending, which to me is devastating.