Callie Oettinger

How To Pitch, Part II

By Callie Oettinger |

I left a few pieces out of my last post, “How to Pitch.” What follows is a round-up of items that should have made a showing in that first round. Research the Individual You’re Pitching Check the individual’s status. A few years ago I managed a history web site. Three years after the gig ended, publicists were still sending me books — and I’m still receiving e-mail pitches. When you research that individual, make sure they’re still doing what you think they’re doing. Don’t rely on the Internet. Pick up the phone. The receptionists at news outlets won’t always put…

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The Magic of Snow (and Emerging Stories)

By Callie Oettinger |

This piece hit about this time two years ago. Bringing it back today as the days grow longer and the snow days (hopefully) shorter.  Ezra Jack Keats clipped a strip of four images from Life magazine in 1940. One child. Four endearing expressions and poses. As the next two decades passed, the little boy in the images remained the same age, with the pursed lips and ballooned cheeks so often worn by children no more than three years old. Bundled up in a long puffy jacket and pants, he lived on Keats’ wall as the artist illustrated one children’s book after…

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Girl Scouts, Pot and Thinking Outside the Obvious

By Callie Oettinger |

A Girl Scout in Los Angeles made the LA Times this week for setting up shop outside a pot dispensary. She sold 117 boxes within two hours, almost a box a minute. Let’s pretend for a second that there aren’t adults in favor and adults against this young lady’s location choice — and just look at the location. It’s an example of thinking outside the obvious. For decades Girl Scouts have been going door-to-door throughout their neighborhoods and camping out in front of local grocery stores, Walmarts and other “family friendly” locations. These are the obvious locations — sell where…

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Finding Atticus

By Callie Oettinger |

After Atticus pulled Calpurnia away from Aunt Alexandra and the Maycomb missionary circle ladies, Aunt Alexandra asked Miss Maudie when it would stop. (Chapter 24, To Kill A Mockingbird) “I can’t say I approve of everything he does Maudie, but he’s my brother, and I just want to know when this will ever end.” Her voice rose: “It tears him to pieces. He doesn’t show it much, but it tears him to pieces. I’ve seen him when — what else do they want from him, Maudie, what else?” “What does who want, Alexandra?” Miss Maudie asked. “I mean this town.…

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Bradbury and Bowie: Dancing, So As Not To Be Dead

By Callie Oettinger |

In “Dancing, So As Not to Be Dead,” Ray Bradbury’s introduction to The Illustrated Man, he starts with a story about Laurent, a waiter in Paris, who spends his life between working and dancing. “I work from ten to twelve hours, sometimes fourteen,” he says, “and then at midnight I go dancing, dancing dancing until four or five in the morning and go to bed and sleep until ten and then up, up to work by eleven and another ten or twelve or sometimes fifteen hours of work.” When Bradbury asks how he can do that, Laurent replies: “Easily,” he…

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Connectin’ Like Hendley

By Callie Oettinger |

Luther and Bobby used to put small baggies of paint in the middle of Aiken Road. The cars flyin’ by would end up splattered, in need of a paint job. Lucky for them, the body shop Luther’s daddy worked at was just down the road. This was before Google and Angie’s List — when the Yellow Pages still doubled as booster seats for toddlers and people relied on word-of-mouth recommendations, and/or the closest locations, when choosing contractors, mechanics, restaurants and pretty much everything else. The two did a fine bit of referral work for Pop, who gave ‘em a cut to…

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The Fat Guy in the Red Suit Knows the Deal

By Callie Oettinger |

Do you ever feel like a kid at times and wonder how you got here, to this adult place? Two weeks ago, a friend and I went down that rabbit hole. A young woman he manages at work is staring down a fork in her road. She doesn’t know what to do next. Wants more money, more responsibility, more of all the usual things… She looks at him and sees an old guy (anyone over 30 in her eyes). He looks inside and sees a kid. He’s still laughing at the same things he did when he was 12 and…

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When Do You Walk Away?

By Callie Oettinger |

Don’t forget the huge savings on Black Irish Books’ Christmas Special—the 7-Book Megabundle for Writers. Keep a couple for yourself and spread the rest around to “worthy recipients.” * * * * * Kate’s manuscript has been sitting with her editor for over a year. Between submitting it then and waiting for its acceptance now, she’s worked odd jobs to bring in money, writing in between gigs. As she waits, so does the book her gut thinks will allow her to quit the odd jobs and move toward writing full time. She wants to pull the book, to stop the…

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The Next “Next”

By Callie Oettinger |

Wyck had a brilliant mind. Quick witted. Educated. Creative. Depending on when you landed in his life, he was the next Jim Morrison, the next Mario Puzo, the next Casey Kasem, the next Babe Ruth. During the next-Jim Morrison phase he was Molly’s first boyfriend. Unlike Luther, who was his replacement years later, he was a close friend of mine, too. We discussed books and music and dreams. We thought he’d “make it” and that inspired us to want to make it, too. Looking back . . . He was the next Ignatius J. Reilly. If his life was a…

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The Curious Case of Sidd Finch

By Callie Oettinger |

Sidd Finch hit the scene in 1985, via a Sports Illustrated exposé written by George Plimpton. Finch was a rare bird and Plimpton did a helluva a fine job writing about him. If you missed the article, Finch was believed to have the best arm in baseball ever—as in of all time, not just that year. With a 168 mph fastball and a set-up that outfielder John Christensen likened to “Goofy’s pitching in one of Walt Disney’s cartoon classics,” it was easy to imagine Finch lacked the accuracy to match his speed, but . . . Not the case. He had…

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