Writing Wednesdays
Continuing our “reports from the trenches,” let me flash back briefly to last week’s post with the aim of setting today’s piece—Report #2—in a relatable time context. The plot so far: April 28, 2017. Shawn sends me his editorial notes on my new manuscript (my Draft #10.) Same day: I go into shock. Two weeks later: I summon the courage to read Shawn’s notes again. I succumb to shock a second time (though not quite as badly.) Three days later: I read ’em one more time. Shock is receding. Two days after that: I begin to actually grasp what…
Read MoreI’m gonna take a break in this series on Villains and instead open up my skull and share what’s going on in my own work right now. It ain’t pretty. I’m offering this post in the hope that an account of my specific struggles at this moment will be helpful to other writers and artists who are dealing with the same mishegoss, i.e. craziness, or have in the past, or will in the future. Here’s the story: Eighteen months ago I had an idea for a new fiction piece. I did what I always do at such moments: I…
Read MoreDarth Vader. The Gorgon. Medusa. They and every other villain in myth and literature (and real life) are metaphors for Resistance. Resistance is the universal and ultimate villain. Consider how this monster was described in The War of Art. 1. Resistance is Internal. It is self-generated and self-perpetuated. Resistance is Insidious. Resistance has no conscience. [It] is always lying and always full of shit. Resistance is Implacable. It cannot be reasoned with. It is an engine of destruction … implacable, intractable, indefatigable. Reduce it to a single cell and that cell will continue…
Read MoreThe shark in Jaws first surfaced in Peter Benchley’s novel in 1974. It’s still scaring the crap out of swimmers from Jones Beach to the Banzai Pipeline. The Alien first burst from John Hurt’s chest in 1979. The Terminator landed in 1984. And how about the Furies (Part Three of Aeschylus’s Oresteia) from 458 BCE? What qualities do these Hall of Fame antagonists have in common? They cannot be reasoned with (Okay, the Furies did have a bit of a soft spot). They cannot be appealed to on the basis of justice, fair play, or the idea of right and wrong.…
Read MoreYou and I as writers, when we want to create a really dastardly Bad Guy, may find ourselves conjuring a mustache-twirling, Simon Legree-esque, Filthy McNasty ogre, tying an innocent damsel to a railroad track. But remember, the villain doesn’t see himself as the villain. From his point of view, he’s the good guy. To him, the real villain in the story is the hero. Consider this all-time-great Villain Speech, written by Aaron Sorkin and delivered to such memorable effect by Jack Nicholson as Marine colonel Nathan R. Jessup in A Few Good Men. When you read these lines (which…
Read MoreActors will admit it, if you ask: the first time they read a script, some part of them is scanning it for a great speech they can deliver. A star speech. A speech that says, “This is my movie (or my book).” It’s our job as writers, yours and mine, to give that star a star speech. A star speech can be long. I believe in the small of a woman’s back, the hanging curveball, high fiber, good Scotch … I believe that the novels of Susan Sontag are self-indulgent overrated crap. I believe Lee Harvey Oswald acted alone.…
Read MoreThe easiest villain to write is the external villain. The Alien. The shark in Jaws. The Terminator. Doc Ock, Bane, Immortan Joe. Or force-of-nature villains—the volcano in Volcano, the oncoming Ice Age in The Day After Tomorrow, the Mayan-prophecy-end-of-the-world in 2012. External villains present existential threats to our physical existence. These sonsofbitches will kill you, eat you, freeze you, boil you. The problem with external villains, though they may occasionally deliver bestseller sales and boffo box office, is they don’t often bring out the best in the stars who must confront them. Why? Because the stars only have to duel…
Read MoreI turn down all clueless asks. What exactly is a clueless ask? Anyone who sends me their manuscript unsolicited. Anyone who asks me to meet them for lunch. Anyone who sends me an e-mail headed “Hi” or “Hello there” (or with no salutation at all.) Anyone who asks me how to get an agent. Anyone who asks me to introduce them to my agent. These are not malicious asks. The writers who send them are nice people, motivated by good intentions. They’re just clueless. They have committed one of two misdemeanors (or both). First, they have demonstrated that they…
Read MoreWhat are the virtues of an entrepreneur? What qualities of mind do you and I need if we are going to succeed as artist/entrepreneurs? One answer (the one I usually use) is to say we need the virtues of warriors: Courage. Self-reliance. The ability to endure adversity. Another way is to say we need the virtues of mothers. I had a dream once. I was living in New York, driving a cab at night, trying to write in the daytime. A friend came to visit. My friend was one of these wildly extroverted guys, who immediately went out…
Read MoreCandidates for office in all lands and in every century make the same promise to the voters they hope to attract: I will get you what you want and it will cost you nothing. “Want your job back? A free college education? No problem. I’ll get it for you.” Something for nothing is the offer a drug dealer makes to an addict or a mother provides for an infant. In the grownup world, something for nothing does not exist. Yet politicians sell it to us, and we fall for it every time. Why? The amateur, the infant,…
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