Steven Pressfield

How Screenwriters Pitch

By Steven Pressfield |

Today, the 20th, is publication day for Do the Work in all three versions—hardback, electronic and audio—so please forgive me if I do a little marketing pitch for a sentence or two. Here’s how I described the book to a friend: Do The Work isn’t so much a “follow-up” to The War of Art as it is an action guide that gets down and dirty in the trenches. Say you’ve got a book, a screenplay or a startup in your head but you’re stuck or scared or just don’t know how to begin, how to break through or how to…

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Coming Home

By Steven Pressfield |

Chapter 23   Coming Home But what about us? What about the soldier or Marine who steps off the plane from overseas and finds himself in the scariest place he’s seen in years: Home. Has everything he knows suddenly become useless? What skill set can he employ in the civilian world? The returning warrior faces a dilemma not unlike that of the convict released from prison. Has he been away so long that he can never come back? Is the world he knows so alien to the “real world” that he can never fit in again? Who is he, if…

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Three Act Structure

By Steven Pressfield |

Last week’s post, this week’s and next’s all come from Do The Work, our new book that comes out, on amazon.com only, a week from today. The e-version is available for free right now, though it won’t go “live” till pub day. At that time, a hardback and an audio version will go on sale, along with a collectible. By the way, you don’t need an e-reader to download an e-book; it’ll work on your iPad, your Mac or PC, your Android. Here’s a link to free apps that make this work. But enough salesmanship. Let’s get down to today’s…

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Inner Wars

By Steven Pressfield |

PART THREE INNER WARS Chapter 21   Casualties of War All of us know brothers and sisters who have fought with incredible courage on the battlefield, only to fall apart when they came home. Why? Is it easier to be a soldier than to be a civilian? For the warrior, all choices have consequences. His decisions have meaning; every act he takes is significant. What he says and does can save (or cost) his own life or the lives of his brothers. The nineteen-year-old squad leader and the twenty-three-year-old lieutenant often exercise more power (and in spheres of greater and…

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The Foolscap Method

By Steven Pressfield |

Here’s a trick I use on every project. I learned it from my friend and mentor, the novelist and documentarian Norm Stahl. Norm and I were having lunch one day at Joe Allen’s in Manhattan and I was complaining about how hard it was to get a novel started. Norm happened to have a pad of yellow legal-sized foolscap paper in his briefcase. He took it out and set it on the table in front of me. “Steve,” he said, “God made a single sheet of foolscap exactly the right length to hold the outline of an entire novel.” That was…

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The Warrior Sense of Humor

By Steven Pressfield |

Chapter 20  Die Laughing The warrior sense of humor is terse, dry—and dark. Its purpose is to deflect fear and to reinforce unity and cohesion. The Warrior Ethos dictates that the soldier make a joke of pain and laugh at adversity. Here is Leonidas on the final morning at Thermopylae: “Now eat a good breakfast, men. For we’ll all be sharing dinner in hell.” Spartans liked to keep things short. Once one of their generals captured a city. His dispatch home said, “City taken.” The magistrates fined him for being verbose. “Taken,” they said, would have sufficed. The river of…

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Watching Paul Anka

By Steven Pressfield |

I went to a Paul Anka concert a couple of years ago and I learned something that I use now, every day, in my writing. Do you remember Paul Anka? He was a teen idol back in the days of Fabian and Frankie Avalon. He’s still an extremely popular performer, who sells out shows around the world. Paul Anka wrote the Sinatra classic, “My Way,” along with hundreds of other songs. He tours with a band of about fifteen and he delivers a terrific show. Here’s what I learned from watching him onstage. Throughout the performance, Mr. Anka communicated to…

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The Will to Victory

By Steven Pressfield |

Chapter 19.  The Will to Victory When Alexander was a boy, a party of traders came to Pella, the Macedonian capital, selling trained warhorses. Philip the king and all his officers went down to the plain to put these mounts through their paces. One horse, called Bucephalus, was by far the fastest, strongest and bravest—but he was so wild that no one could ride him. Alexander watched as his father let the steed go without making an offer. “What a fine mount you lose, Father,” he said, “for want of spirit to ride him.” At this, the king and all his…

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“Sit Chilly”

By Steven Pressfield |

My friend Daphne used to take riding lessons from a legendary horsewoman in Carmel Valley, California named Sue Sally Hale. Have you ever heard of Sue Sally? Sue Sally competed in polo matches for twenty years disguised as a man (she used to daub mascara on her upper lip to simulate a mustache, while tucking her long hair up under her helmet) before finally being admitted, in 1972, as the U.S.P.A.’s first female member. Sue Sally had a mantra that she taught her polo, dressage and jumping students: “Sit chilly.” I’m not a rider but apparently it can get pretty…

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The Joys of Misery

By Steven Pressfield |

Chapter 17   The Joys of Misery Among all elite U.S. forces, the Marine Corps is unique in that its standards for strength, athleticism and physical hardiness are not exceptional. What separates Marines, instead, is their capacity to endure adversity. Marines take a perverse pride in having colder chow, crappier equipment and higher casualty rates than any other service. This notion goes back to Belleau Wood and earlier, but it came into its own during the exceptionally bloody and punishing battles at Tarawa and Iwo Jima, the Chosin Reservoir and Khe Sanh. Marines take pride in enduring hell. Nothing infuriates…

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