Steven Pressfield
What I love about Seth Godin is that every time he pitches a new idea to a big company, they throw him out on his butt. “That’s the craziest thing we’ve every heard. It’ll never work, you’re nuts, get the hell out of here!” Then Seth goes out and does it himself and sells a gazillion copies. [Full disclosure: I’m now in business with Seth, in a new publishing entity of his called the Domino Project, partnered with amazon.com. The first publication came out yesterday, authored by Seth, a manifesto called Poke the Box. Take a look on amazon. It’s…
Read MoreChapter 9 The Opposite of Shame is Honor Once, in India, after years on campaign, Alexander’s men threatened to mutiny. They were worn out and wanted to go home. Alexander called an assembly. When the army had gathered, the young king stepped forth and stripped naked. “These scars on my body,” Alexander declared, “were got for you, my brothers. Every wound, as you see, is in the front. Let that man stand forth from your ranks who has bled more than I, or endured more than I for your sake. Show him to me, and I will yield to your…
Read MoreA couple of weeks ago we were talking about the Inciting Incident. I apologize for getting away from it. Let’s get back … The formula says, “The Inciting Incident sets up the Obligatory Scene.” What is the Obligatory Scene? It’s the climax. It’s the scene that, if you don’t have it, you don’t have a story. In The Hangover, the inciting incident is Losing Doug. The obligatory scene is Finding Doug. In The King’s Speech, the inciting incident is when we realize that Bertie has a terrible stutter and he’s destined to become monarch just as Hitler is starting World…
Read MoreChapter 7 Tribes, Gangs and Terrorists Every honorable convention has its shadow version, a pseudo or evil-twin manifestation in which noble principles are practiced—but in a “dark side” system that turns means and ends on their heads. The Mafia and criminal gangs live by rigorous and sophisticated codes of loyalty, discipline and honor. So do terrorist organizations. Does that make them warriors? Do these groups practice the Warrior Ethos? When is “honor” not honor? To answer this, we must consider the nature of tribes. What are the social, cultural and political characteristics of tribes? First, tribes are hostile to all…
Read MoreAre you familiar with what screenwriters call a “log line?” It’s an extremely useful tool—not just for writers, but for artists and entrepreneurs of all kinds. Today I’m going to interview an expert on the subject, Hollywood script consultant Jen Grisanti, who’s the author of a new book that I recommend highly–Story Line. SP: Jen, thanks for returning to the scene of the crime. Our earlier interview—The “All is Lost” Moment–got tremendous response when it appeared a couple of months ago. But let’s get down to business on a different storytelling subject: the log line. Most of us think of…
Read More[Last week we introduced this new series, The Warrior Ethos, posting the introduction and Chapters One and Two. Today’s post is Chapters Three, Four, Five and Six. The Warrior Ethos will continue in this space every Monday. To see prior posts, click on the “Series” bar above. Let’s resume!] CHAPTER 3 EAST OF EDEN Where did the Warrior Ethos come from? Why would anyone choose this hard, dangerous life? What could be the philosophy behind such a choice? An answer may come from the Garden of Eden (which is an archetypal myth common to many cultures other than our…
Read MoreToday we launch a new series on the site. It’s called The Warrior Ethos. Here’s a short intro, in case you missed it. The series is intended for our young men and women in uniform, but I hope that other warriors in other walks of life will give it a chance too. Posts will appear every Monday. After this week, Writing Wednesdays will resume. Let’s plunge right in. Here’s the introduction to The Warrior Ethos and the first two chapters. (The photo above is from Khalidiyah, Iraq, 2008—the men of Company F, 2nd Battalion, 24th Marines. Thanks to Lance Corporal Albert F.…
Read MoreToday we launch something new on the site. Some people may hate it. (We’ve already had one high-profile colleague flee, screaming, from his first sight of it.) It’s called The Warrior Ethos. It’s an ongoing series about exactly what the title says. The primary audience I’m writing it for is our young men and women in uniform, but I hope that other warriors from other walks of life will give it a chance as well. The first Warrior Ethos post will appear in this space today, Wednesday 2/9, a couple of hours after this intro runs. After this week, the…
Read MoreI’m on the road this week, visiting Robert McKee in Sedona, AZ. It’s his birthday. Bob McKee, if you don’t know him, is the guru of screenwriters and the founding force behind Storylogue on the web. His intensive story workshops, which he gives all around the world, are like four years of writer’s college in 96 hours. I’ve taken his course three times. The thing I say about Bob (and it’s absolutely true) is that he’s not just the best teacher of writing I’ve every known, but the best teacher of anything. If you saw the movie Adaptation, starring Nicholas…
Read MoreSo far, we’ve been talking in these What It Takes posts from our own point of view, from the angle of the writer and his agent and publicist. Today I’d like to turn that around. Let’s get down and dirty–in the trenches, selling books to bookstores. We’ll talk with Random House’s David Glenn, who’s one of the key sales reps working to “sell in” The Profession—and one I’ve had contact with since Gates of Fire back in 1998. SP: David, welcome and thanks for giving our readers, many of whom are writers and artists, a peek into the real world…
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