Steven Pressfield
Posted from the road, Jacksonville NC: I’m reading Shawn’s Friday posts about book proposals in our “What It Takes” series. I love ‘em. They’re educational for me too. Until I read Shawn’s first post, I didn’t know what a book proposal was. Until he showed me one a couple of months ago, I had never seen one. Reading this, you may think, “How can that be? How can Pressfield have a 15-year book career and not know what a book proposal looks like?” The answer is simple: You don’t need a book proposal for fiction. That’s good news and bad…
Read MoreI got an e-mail a few weeks ago from Jeff Wills, who is writing an historical novel and was curious about how I did research. I promised I would answer in this space as soon as the launch of The Profession was over. So … here goes: JW: My question is about your method of research and writing. I know your position is do “as little research as possible” and jump in, but I guess I’m interested in some of the details of how YOU jump in. SP: First, Jeff, though I do advocate plunging in on the work even…
Read MoreI have a recurring dream. In the dream I’m invited to climb into the back seat of a limo that’s about to drive off to someplace fabulous (sometimes the dream is about a fancy home or a fantastic restaurant). The dream always ends badly. It’s trying to tell me something. Publication day—which was yesterday for The Profession—is like getting into the back seat of that dream limo. Publication day gets our hopes up. We’re human. We’re prey to the folly of anticipating rave reviews; we’re itching to check sales on Amazon. I’ve been up and down with these expectations through…
Read MoreThe Gnostics believed that exile was the psychological condition of the human being. It certainly feels that way to me. We’ve been talking about artists and addicts for the past couple of weeks. Not every artist is an addict, and certainly not every addict is an artist. But it seems to me that both share an acute, even excruciating sensitivity to the pain of being human—and both actively seek ways to overcome it, transcend it, or at least make it go away. What is the pain of being human? To me, it’s the condition of being suspended between two worlds…
Read MoreThe artist and the addict are not very far apart, are they? Often they’re one and the same. A blues musician or a painter can be an addict one minute and an artist the next. He can be an artist and an addict at the same time. On Tuesday you’re rocking the casbah; on Wednesday you’re checking in to Betty Ford. Why is that? “It may be the devil or it may be the Lord, But you’re gonna have to serve somebody.” If Bob Dylan is right in Gotta Serve Somebody (and I think he is), we all do have to…
Read MoreThus endeth our series, The Warrior Ethos. To read the full book for free, click here. A “lightbox” will open. For those (like me) who are not 100% hip to lightboxes, they’re like e-books except you don’t need a Kindle or an iPad; you can read them on your regular laptop or desktop. Once you’re in the lightbox, open the window wide till you see PREVIOUS | NEXT in the lower left hand corner; then just “turn the pages.” Clicking on a page also turns it. There’s a CLOSE button in the lower right when you want to quit. The…
Read MoreFREE MINI COURSE
Start with this War of Art [27-minute] mini-course. It's free. The course's five audio lessons will ground you in the principles and characteristics of the artist's inner battle.